Billy Hietanen or @nudemodular has quickly carved out a niche for himself in the world of contemporary furniture design, thanks to his playful approach to modularity and a steadfast commitment to minimalism. Rooted in Melbourne and inspired by Scandinavian sensibilities, his wooden furniture is as functional as it is visually refined. Each piece is built from high-quality plywood and designed for effortless assembly—no screws required—inviting users to mix, match, and reconfigure components like building blocks.

This philosophy of adaptability means the furniture grows with you, easily evolving to meet changing needs or tastes. With a focus on personalized finishes and intuitive construction, his furniture feels as much like a creative toolkit as it does a refined addition to the home. Here, we have curated a collection of five unique and impressive wooden designs by Billy Hietanen – each furniture piece is simple, versatile, and yet blessed with enduring appeal.

1. Cube Concept

The Cube Concept is all about modular freedom and hands-on creativity. Each face clicks together with sleek locking clips, letting you build, stack, or remix cubes for side tables, shelves, or seating—whatever your space craves. Each section can be used to create multiple combinations of seating arrangements, so the possibilities feel endless. It’s Billy Hietanen’s answer to furniture that’s never static—think bold, geometric vibes designed to adapt as your style shifts.

The cube concept offers an open invitation to experiment. Those simple corner and straight clips are an open call to play—move, swap, or add on as your mood changes, and we can’t wait to see how he modifies it further. It’s a system made for modern living, where every piece is a blank canvas for your personality and a perfect representation of the quintessential ever-evolving, interactive ‘nude modular’ energy.

What we like

• Each cube section can be combined or rearranged for countless seating and storage configurations.
• The simple locking system encourages creativity, making it fun to experiment and personalize your layout.

What we dislike

• The concept is still in development, and as the design evolves, some features or attachment methods may change.

2. Butterfly Stool/Chair

The Butterfly Stool/Chair is a rather popular and iconic piece in Billy’s modular collection. It’s crafted from hot-pressed, 6-axis CNC-machined Euro birch plywood and finished with clear Osmo oil. The design features a 3D-printed PLA chair adapter, enhancing its playful versatility. Its form is inspired by a butterfly’s wings, with gently curving lines that give it a light, sculptural presence.

This stool is all about flexibility and simplicity. It’s constructed from just a few universal components, allowing users to reconfigure, stack, and personalize each piece to suit their needs, echoing Billy’s “Lego-like” philosophy for furniture. Stackability makes it a space-saving solution, while the exposed structural elements celebrate a Finnish-inspired, minimalist ethos. The Butterfly Stool/Chair is available in multiple finishes, made to order, and intended as a functional, elegant addition to any modern home.

What we like

• Features a highly versatile and modular form that can be easily reconfigured, stacked, or used in various combinations.
• The minimalist and sculptural aesthetic with a modern look that suits many interiors.

What we dislike

• Limited comfort for prolonged sitting.

3. Magnetic Everychair Prototype

The Magnetic Everychair brings next-level flexibility to furniture design. The rather unique-looking chair doesn’t seem to possess any legs, and in fact features two massive magnets on its back. These strong magnets allow the chair to be attached to any surface, offering a portable and adaptable seating arrangement no matter where you are. It’s a statement in mobility and modularity—ready to transform at a moment’s notice to suit your needs.

You can move it around on a whim, making it perfect for anyone who loves to refresh their space or needs adaptable seating for modern living. With exposed structural lines and a crisp, Scandinavian-inspired profile, the Magnetic Everychair looks sharp in any setting. It’s a true expression of Nude Modular’s interactive ethos—a seat that’s as fun to use as it is to look at, and always ready for change.

What we like

• The magnetic back allows the chair to attach to various surfaces and be moved or repositioned with ease, perfect for dynamic spaces.
• Its legless form and exposed structure give it a bold, modern look that stands out in any interior.

What we dislike

• The chair’s functionality depends on finding suitable metal surfaces for attachment.
• The lack of legs and traditional support might not suit everyone, especially for longer sitting sessions or users seeking classic ergonomics.

4. Chaos Stool/Chess Table

The Chaos Stool/Chess Table is a clever dual-purpose piece crafted from clear-lacquered Euro birch plywood. Its standout feature is a machined top with a recessed chessboard pattern, which can be flipped over to reveal a smooth, flat surface. This allows the piece to function as both a compact side table and a casual chessboard, making it ideal for small spaces or anyone who appreciates multifunctional design.

With dimensions of 500mm in height and 370mm in both width and length, the Chaos Stool/Chess Table maintains a minimalist, geometric look that’s easy to pair with other modular pieces. The flip-top feature means you can instantly switch from game mode to everyday utility, reflecting Billy’s playful, flexible approach to furniture. It’s a practical, space-saving solution for modern living, where adaptability and creativity are always in demand.

What we like

• Acts as both a stool/side table and a chess table, offering dual functionality.
• The flip-top design lets you easily switch between a game surface and a smooth table, adding versatility and convenience.

What we dislike

• While ideal for smaller spaces, its modest dimensions may limit use as a primary table or for group chess sessions.

5. Screw-less Record Stand

The screwless record stand is a DIY-friendly furniture design that can be assembled entirely without screws. Instead of a ready-made product, Billy offers detailed manufacturing drawings, including PDF, STEP, and DXF files, allowing makers or enthusiasts to fabricate and build the stand themselves. This approach fits perfectly with his ethos of modularity and hands-on creativity, giving users the freedom to personalize or adapt the design as needed.

The manufacturing package provides all the technical details required for CNC fabrication or manual production, making it accessible for woodworkers and design hobbyists. The stand is designed to securely hold vinyl records in a minimalist, functional display, with an emphasis on clean lines and efficient assembly. This product appeals to those who want a custom, tool-free storage solution for their records and enjoy the process of building their furniture.

What we like

• The screwless design allows for quick, straightforward setup without the need for hardware or special tools.
• With detailed plans provided, users can personalize materials, finishes, and dimensions to match their style or space.

What we dislike

• Requires access to CNC equipment or woodworking skills, which may limit its appeal to non-makers.
• Since it’s a digital plan, users are responsible for troubleshooting and material sourcing on their own.

The post Top 5 Modular Wooden Furniture Designs For Customizable Living & Trendy Interiors first appeared on Yanko Design.

Simone Giertz, known for her inventive and often playful creations, has taken furniture design to a new level with her latest project: a spinning coffee table. This unique piece isn’t just a conversation starter; it’s a testament to the creativity and resourcefulness that fans have come to expect from the popular YouTuber and inventor. Inspired by the idea of making everyday objects more fun and functional, Simone’s spinning coffee table brings a dynamic twist to any living room.

The journey of creating the spinning coffee table is documented in a captivating YouTube video where Simone guides viewers through the process, from initial sketches to the final product. The entire project is infused with her signature humor and transparency, revealing not just the successes but also the challenges along the way. The idea stemmed from wanting to make a coffee table that was more than just a static piece of furniture. Simone envisioned a table that could rotate smoothly, allowing users to access items from any side without having to stretch or walk around it.

Designer Name: Simone Giertz

Simone started by designing the table’s structure. She opted for a rectangular tabletop, which naturally lends itself to rotation. The main challenge was figuring out how to make the table spin easily and safely, especially considering the weight of the materials. After exploring several mechanisms, she settled on using a large, industrial-grade lazy Susan bearing, which is typically used for heavy-duty applications. This choice allowed the table to rotate effortlessly while supporting the weight of books, drinks, and even the occasional curious pet.

The construction process was both educational and entertaining. Simone shared her experience with woodworking, metalwork, and problem-solving as she assembled the table. She even highlighted a few mistakes and how she fixed them, making the project feel approachable for DIY enthusiasts. The table’s aesthetic is sleek and modern, featuring a wooden top with a smooth finish and a sturdy metal base. The combination of materials ensures durability while maintaining a minimalist look that fits a variety of interior styles.

One of the most delightful features of the spinning coffee table is its playful functionality. Whether you’re hosting a game night or just relaxing with your favorite snacks, the rotating surface turns the table into an ottoman where you can put your feet up. It also acts as a storage so you can place some stuff that you want to be accessible to you. It has mini shelves and a space under the ottoman where you can put things. It’s a simple idea, but it adds a layer of interactivity that’s both practical and fun.

For those interested in making their own spinning coffee table, Simone’s detailed walkthrough provides plenty of tips and inspiration. She encourages viewers to experiment with their own designs and to embrace the trial-and-error process. The spinning coffee table stands as a shining example of how thoughtful design and a bit of ingenuity can transform ordinary objects into something truly special.

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The Museum of Wisconsin Art is presenting chairs that Frank Lloyd Wright never saw completed. These designs existed only as sketches and architectural fragments until 2025. After seven decades buried in archives, Wright’s unbuilt chair concepts have been reconstructed for the first time, revealing the master architect’s furniture vision that time forgot.

Designer: Frank Lloyd Wright

Frank Lloyd Wright: Modern Chair Design runs at the Museum of Wisconsin Art in West Bend from October 4, 2025 to January 25, 2026, bringing together more than forty works and newly fabricated chairs based on Wright’s archival drawings.

This isn’t another retrospective celebrating Wright’s famous pieces like the Robie House dining chairs or Imperial Hotel seating. These are the designs that never made it past the drawing board. Conceptual furniture that Wright envisioned but never had the chance to realize during his 70-year career.

The Museum Project Behind the Reconstructions

The project is led by MOWA’s curator of architecture and design Thomas Szolwinski in collaboration with Eric Vogel of the Taliesin Institute, with reconstructions realized by expert makers including S. Lloyd Natof, Wright’s great-grandson, and Stafford Norris III.

What makes this exhibition remarkable is the completeness of Wright’s documentation. Working with the Frank Lloyd Wright Foundation to access and interpret archival drawings, the team discovered detailed architectural sketches, specifications, and material notes. Wright had essentially created complete furniture blueprints that his contemporaries never executed.

The reconstructed pieces span Wright’s evolution as a furniture designer across five distinct periods from 1911 to 1959. The progression shows his Prairie School geometric sensibilities transitioning through organic forms and culminating in his integration of natural materials with modernist principles.

The detailed drawings uncovered a missing chapter in Wright’s creative story. The designs were filed away in Wright’s personal archive, separate from his architectural projects.

Modern Technology Brings Vintage Designs to Life

Bringing these decades-old concepts to reality required combining traditional woodworking techniques with contemporary precision. The reconstruction team interpreted Wright’s two-dimensional drawings using modern tools while employing period-appropriate joinery methods.

The challenges were significant. Wright’s drawings sometimes lacked crucial construction details, presumably because he expected to supervise the building process personally. The team made educated interpretations based on Wright’s documented furniture-making philosophy and his documented preferences.

The reconstructions showcase diverse materials and techniques. One armchair fabricated in 2025 features cypress with upholstered fabric and gold leaf, demonstrating the range of Wright’s material vocabulary.

Many of Wright’s joint designs pushed materials to their limits, requiring tolerances that were difficult to achieve with mid-century equipment but are now feasible with modern precision tools.

Wright’s Furniture Philosophy on Display

The reconstructed chairs illuminate Wright’s approach to furniture as architectural elements rather than standalone pieces. Each design demonstrates his belief that furniture should emerge organically from the building’s overall design concept. Wright called this “integral ornamentation.”

The exhibition traces this philosophy across five distinct periods spanning 1911 to 1959, showing dramatic evolution throughout Wright’s career. Early Prairie School pieces display geometric vocabulary with right angles and linear elements that complement the horizontal emphasis of his prairie houses. Later work reveals significant shifts toward organic forms, with flowing curves that anticipate his Fallingwater period.

Highlights include first-ever fabrications of designs never built during Wright’s lifetime, such as cafe chairs envisioned for the Solomon R. Guggenheim Museum. These cafe chairs, now realized with a Milwaukee metal-spinning firm, represent some of the exhibition’s most significant reconstructions.

Why Wright’s Contemporaries Couldn’t Build These Designs

The reconstructions reveal technical hurdles that explain why Wright’s contemporaries couldn’t execute them. Some designs required techniques that were uncommon in furniture making of that era. Others demanded precision joinery that was difficult to achieve without contemporary tools.

Wright’s specifications often pushed the limits of available materials and techniques. His joint designs required tolerances that were nearly impossible to achieve consistently with period woodworking equipment. Modern craftsmen could execute Wright’s vision precisely because today’s tools and techniques finally match his ambitious specifications.

What seemed impossibly complex decades ago became achievable in 2025 through advances in precision machining and manufacturing.

Exhibition Details and Significance

The exhibition demonstrates how great design transcends its original time period, remaining relevant and inspiring across decades. The reconstructions bring Wright’s architectural principles to physical reality.

The project also establishes a methodology for recovering other lost design treasures from architectural archives. The systematic approach to interpreting archival drawings and executing reconstructions could apply to unrealized furniture by other mid-century masters.

For Wright scholars, these chairs provide new insights into his creative process during different career phases. The evolution from geometric Prairie School forms to organic modernist curves tells the story of American design’s transformation through the 20th century.

Frank Lloyd Wright: Modern Chair Design continues at the Museum of Wisconsin Art through January 25, 2026. The exhibition offers visitors the chance to experience furniture designs that were lost to time but never lost to imagination.

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If you’re searching for a concept that blends artful design with functional vision, the LOOP Chair by Dntigrco Graphics is sure to catch your eye. Presented as a design concept on Behance, this striking chair explores the possibilities of seating for the modern home or office, combining minimalist style with ergonomic thinking.

The LOOP Chair concept impresses with its bold, angular frame that feels both dynamic and airy. The designer set out to create a continuous, flowing form, imagining a seat that almost “loops” around the sitter. This unique vision means the chair isn’t just a functional object, but a sculptural experience. The proposed frame, envisioned in walnut wood veneer with options for ash, oak, or black-stained finishes, serves as both a structural support and an artistic centerpiece. Its geometry is the result of careful sketching and creative exploration, balancing soft curves for comfort with sharp angles for a modern, architectural feel.

Designer Name: Dntigrco Graphics

The LOOP Chair concept stands out for its ability to suggest motion even while stationary. Its sculptural frame creates an intriguing play of light and shadow, making it a visual highlight in any room. Whether imagined in a contemporary office, a stylish lounge, or a refined living space, the chair’s form is designed to spark conversation and admiration.

Comfort is central to the chair’s conceptual design. The seat and backrest are imagined with high-density foam, wrapped in either premium fabric or leather upholstery available in a range of colors. This approach ensures that the concept delivers not only visual appeal but also a vision for supportive comfort from every angle. The upholstery options allow for further customization, so the chair could be tailored to complement a variety of interior styles.

Every aspect of the LOOP Chair has been thoughtfully detailed in its concept stage. The base is pictured as CNC-milled wood with a matte finish for durability and elegance, while anti-slip rubber pads are integrated into the feet for floor protection and stability. These features ensure that, if realized, the LOOP Chair would be as practical as it is beautiful.

Ultimately, the LOOP Chair is more than just an idea for furniture. It’s a harmonious exploration of minimalist design, ergonomic comfort, and customizable elegance. For design enthusiasts, collectors, or anyone interested in the future of interior design, it offers a fresh perspective on what seating can be.

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Swedish studio Manu Matters has been recognized as a leading innovator in eco‑friendly design, joining an elite group of projects celebrated for their forward‑thinking approach to sustainability. The studio’s collection stands out because it transforms everyday waste into high‑design objects. Using 3‑D‑printing technology, Manu Matters re‑imagines materials such as lemon peels, PET bottles and cornstarch, turning them into durable, aesthetically striking home accessories . Each piece is marketed not as a commodity but as an “adopted” object, encouraging owners to develop an emotional bond that extends the product’s lifespan .

The line includes a range of table lamps and vases that blend minimalist Scandinavian sensibility with vibrant colour options. The “Teen Betty” vase, for example, is available in shades like Klein Blue, Mustard and Olive, while the “Lady Betty” version offers a palette that includes Peach and Eggshell . Both models are priced at $250 USD and are made to order, reinforcing the studio’s commitment to small‑batch, low‑impact production . Transparency labels on each item highlight local production, up‑cycled materials and the independent‑artist ethos that defines the brand.

Designer Name: Manu Matters

Beyond aesthetics, Manu Matters’ design philosophy is rooted in the belief that objects should be treated with care and longevity. By giving waste streams a new purpose, the studio reduces landfill pressure while offering consumers stylish alternatives to mass‑produced décor. This approach aligns perfectly with a growing emphasis on sustainable daily life, a theme that has guided many contemporary design initiatives.

The recognition brings international visibility to Manu Matters, positioning the brand alongside other global innovators showcased at major design events in Seoul’s Dongdaemun Design Plaza (DDP) in October. It also underscores a market trend: shoppers are increasingly seeking products that combine design excellence with environmental responsibility. For collectors and design enthusiasts, the accolade serves as a seal of quality, confirming that each Manu Matters piece is both a work of art and a statement of conscious consumption.

As the studio continues to expand its micro‑factory capabilities, future collections are expected to explore additional waste materials, further blurring the line between discarded resources and premium design. This recent celebration not only validates Manu Matters’ current achievements but also signals a promising trajectory for sustainable design in the broader home‑goods market.

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Modern living increasingly demands furniture that adapts to changing needs and limited space, yet most chairs remain stubbornly single-purpose objects that occupy valuable real estate without offering additional functionality. Traditional seating solutions often force us to choose between style, storage, and flexibility, creating cluttered spaces filled with pieces that serve only one role.

What makes the Same Same twin chairs by A204 particularly compelling is how they challenge this limitation entirely. These minimalist wooden chairs function beautifully as standalone seating with built-in storage, but their real potential emerges when paired together, unlocking playful possibilities for interaction, configuration, and use that transform them from simple furniture into a creative toolkit.

Designer: A204

The design language speaks to Scandinavian minimalism with its pale plywood construction and clean, geometric lines. Each chair features a subtle sage green accent on the seat and storage surfaces, adding warmth without overwhelming the natural wood grain. The under-seat storage space accommodates magazines, small objects, or standard euro containers for more organized solutions, making each chair genuinely useful beyond seating.

Of course, the real innovation lies in how the chairs interact when brought together. You can stack them upside-down to create multi-level shelving, nest them side-by-side for bench seating, or arrange them in countless configurations that serve different spatial and functional needs. The modular approach encourages experimentation rather than dictating specific uses.

The twin concept draws inspiration from human relationships, where individual completeness doesn’t prevent enhanced possibilities through partnership. Each Same Same chair works perfectly alone, but pairing reveals new potential for storage towers, display units, side tables, or even plant stands. This flexibility makes them particularly appealing for small apartments, studios, or shared spaces where adaptability matters.

That said, the chairs maintain their essential function as comfortable seating throughout all these transformations. The proportions feel right for everyday use, while the storage integration means they contribute to organization rather than clutter. The quality of construction suggests these pieces could handle frequent reconfiguration without showing wear or losing structural integrity.

You’ll notice how the design invites interaction and creativity in ways that traditional furniture rarely does. The chairs become conversation starters, encouraging users to discover new arrangements and uses. This kind of engagement transforms furniture from passive objects into active participants in how we organize and experience our spaces.

The Same Same chairs tap into something fundamental about how we relate to our living environments. Rather than accepting fixed furniture arrangements, this approach encourages play, experimentation, and personal expression through everyday objects. You can see how this modular thinking might influence other furniture categories, creating homes that feel more dynamic and responsive to changing needs.

The post Same Same Twin Chairs Bring Minimalist Playfulness to Everyday Furniture first appeared on Yanko Design.

Terence Woodgate has unveiled a new furniture collection titled Lightness of Form, a series that showcases how recycled carbon‑fibre can become the structural backbone of contemporary home pieces. The collection includes a sleek table, a minimalist desk, a sculptural chaise longue, an elegant chair, and a cabinet that is still in development. Each item is crafted from reclaimed carbon‑fibre, a material traditionally associated with high‑performance engineering, now repurposed for interior design.

The use of carbon‑fibre gives the pieces an extraordinary strength‑to‑weight ratio, allowing Woodgate to create forms that appear to float while remaining robust enough for everyday use. The table’s thin, lattice‑like top rests on barely visible supports, creating a visual effect of suspended space. The desk follows the same principle, offering a clean work surface without the bulk of conventional wooden or metal frames. The chaise longue combines a gently curving seat with a transparent, carbon‑fibre frame that highlights the collection’s emphasis on lightness and transparency.

Designer Name: Terence Woodgate

Sustainability is a core narrative of Lightness of Form. By sourcing recycled carbon‑fibre, Woodgate reduces the environmental impact associated with producing new composite materials. The process also diverts waste from industries such as aerospace and automotive, where carbon‑fibre is often discarded after a single use. This circular approach aligns with growing consumer demand for eco‑friendly design solutions that do not compromise on aesthetics or performance.

Woodgate’s design language balances industrial precision with organic fluidity. The carbon‑fibre strands are woven into smooth, continuous curves that echo natural forms, while the material’s inherent sheen adds a subtle futuristic touch. The collection’s colour palette stays neutral, allowing the material’s texture to become the focal point. This restrained approach makes the pieces versatile enough to fit into a range of interior styles, from minimalist apartments to more eclectic living spaces.

The cabinet, still under development, promises to extend the collection’s ethos of lightness. Early sketches suggest a modular system that can be reconfigured as storage needs evolve, reinforcing the idea that furniture should adapt rather than become obsolete. Woodgate’s commitment to modularity reflects a broader industry shift toward adaptable design, catering to consumers who frequently relocate or redesign their homes.

The collection demonstrates that high‑tech materials can be both beautiful and responsible, offering a glimpse into a future where sustainability and style are inseparable. As more designers explore recycled composites, Woodgate’s work stands out as a benchmark for how carbon‑fibre can be transformed from a purely functional component into a celebrated design element.

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The USM Haller system, launched in the late 1960s, is celebrated for its chrome‑plated steel frame and ball‑connector that lets shelves, desks and storage units be re‑configured at will . For the 2025 Designers’ Saturday biennale in Oslo, the theme “Repurpose” inspired a group of ten Norwegian designers to reinterpret the system using reclaimed and self‑sourced materials.

Martin A. Andersen, founder of Studio M3, began the project by rescuing a batch of old USM filing cabinets from the former Kreditkassen headquarters. The sturdy frames were still functional, providing a ready‑made skeleton for new ideas . Andersen’s own contribution consists of two benches wrapped in reclaimed timber, climbing rope woven into a macramé back, tall grass inserts and a transparent balloon pump that adds a light, playful accent.

Designer: Studio M3

Bård Arnesen took a different route, covering his re‑imagined Haller piece with large tapestry blankets. Rather than cutting or stapling the fabric, he left the blankets whole so they can be reused as wall hangings after the exhibition. Kjetil Smedal transformed a standard Haller unit into a functional record player. He applied a fibreglass shell over the frame and incorporated mass‑timber panels to create a resonant acoustic enclosure, turning the modular furniture into a retro‑style audio device.

Lloyd Winter’s entry looks as if it has been abandoned for years. Weathered paint, rusted bolts and a patina of dust give the piece a deliberately aged appearance, prompting viewers to consider the life cycle of objects and the beauty of decay. Josefin Johansson contributed a sleek bench that combines the classic USM geometry with a mix of reclaimed oak slats and soft upholstery, offering a comfortable seating option that still respects the system’s clean lines.

The exhibition also featured work by Bjarte Sandal, Hunting & Narud, Mic Poy, Marianne Skarbøvik, Stian Korntved Ruud and others, each employing materials such as surplus acrylic tiles, reclaimed metal, and even repurposed office furniture components. All eleven pieces served as audience seating during the talks programme, demonstrating how modular design can be both functional and expressive.

Beyond the visual spectacle, the project highlights a broader shift in contemporary design toward circularity. By reusing the original steel frames and pairing them with locally sourced or salvaged materials, the designers reduce waste while showcasing the adaptability of a system that was originally intended for corporate offices. The modular nature of USM Haller makes it an ideal platform for such experiments; components can be detached, re‑assembled and combined with new surfaces without compromising structural integrity.

Visitors praised the diversity of approaches, noting that the exhibition offered “inspiration” and “playful solutions” that could be applied in everyday interiors . The success of USM Haller Re‑framed suggests that classic mid‑century systems still have relevance today, especially when designers embrace up‑cycling and local craftsmanship. As sustainability becomes a central concern for consumers and manufacturers alike, projects like this may encourage more brands to open their archives for reinterpretation, turning legacy products into fresh, environmentally conscious statements.

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The Terna Stool is a new prototype that strips a café stool down to three essential parts: a round seat and two matching legs. It is able to create a lightweight, portable perch for short stops in bustling city spaces. Its circular seat lets users sit facing any direction, while a cut‑through handle in the centre provides an instant grip for picking up and moving the stool .

Designed by industrial designer Joe Slatter, the prototype was fabricated in London using CNC machining on solid European beech. The stool is dry‑assembled with minimal fixings and magnets, allowing it to be quickly assembled or disassembled without tools . Future production will shift to a steam‑bent process for the legs, echoing the mid‑century tradition of bentwood café furniture while keeping the design’s ultra‑simple aesthetic .

Designer: Joe Slatter

With its circular seat and two identical legs, the Terna Stool is crafted from solid European beech and dry‑assembled with magnets and minimal fixings for easy disassembly. Its 360‑degree seat allows users to face any direction, while a cut‑through handle at the centre provides a quick grip for lifting and repositioning. They nticipate future production using steam‑bent leg construction that references the tradition of bent‑wood furniture.

The Terna Stool debuted as part of Design Everything’s “A Seat At The Table” exhibition, a traveling showcase that places seats in active community settings rather than on static plinths. Each day the exhibition moves in a Luton van to different design districts across London, hosting talks, workshops and round‑circle debates. Within this mobile context, the stool reflects café culture’s emphasis on quick exchanges, brief perches and easy movement through the city.

Joe Slatter describes the piece as “a study in utility,” noting that it is meant to be lifted, positioned, used for a brief perch and then left behind as the user continues on . The design’s simplicity is intentional: by reducing the stool to three components, it becomes a tool for conversation and collaboration rather than a decorative object . The prototype was made by maker James Trundle, who executed the CNC machining in London’s workshop . Photography by Guy Lockwood captures the stool’s clean lines and the way it integrates into the exhibition’s interactive settings.

By combining modern digital fabrication with a nod to traditional bentwood techniques, the Terna Stool illustrates how minimalist design can serve both functional and social purposes. Its lightweight construction, 360‑degree seating and easy‑carry handle make it ideal for the transient nature of urban cafés and pop‑up community events. While still a one‑off prototype, the design points toward a future where small‑scale, sustainably produced furniture can adapt to ever‑changing public spaces.

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Most ergonomic chairs promise to solve your back pain, then force you into rigid positions that feel more like punishment than comfort. You spend your day constantly adjusting lumbar support, repositioning armrests, and shifting around, trying to find that perfect spot that never quite exists. The average American now sits 9.5 hours daily, yet traditional “ergonomic” solutions still treat our bodies like they’re designed to stay perfectly still.

The LiberNovo Omni takes a completely different approach by adapting to your movements instead of fighting against them. This dynamic ergonomic chair recently launched its North American pre-sale after making history on Kickstarter, and the timing couldn’t be better for professionals, gamers, and anyone tired of accepting discomfort as part of their daily routine.

Designer: Alex Yan, LiberNovo Founder & CEO

Click Here to Buy Now: $1099.

Record-Breaking Success Signals Real Demand

The LiberNovo Omni didn’t just meet its Kickstarter goals but became the highest-funded ergonomic office chair in platform history. This overwhelming response reveals something important about how people feel about their current seating situations. Thousands of backers weren’t just buying a chair. They were investing in a solution to problems they face every single day at their desks.

The campaign’s success came at exactly the right moment when remote work, extended gaming sessions, and digital creativity have made comfortable seating more crucial than ever. Early reviewers and Kickstarter backers consistently praised the chair’s ability to reduce fatigue and maintain focus during long sessions, validating what many suspected: static ergonomic chairs simply aren’t enough anymore.

1. Dynamic Support That Actually Moves With You

Traditional chairs expect you to find the right position and stay there, but the Omni’s Dynamic Support System automatically adjusts to your micro-movements throughout the day. Whether you’re leaning forward to focus on code, stretching back during a video call, or shifting positions while gaming, the chair responds instantly to keep your body properly supported.

The SyncroLink mechanism connects the seat, backrest, and armrests into one unified system that moves together seamlessly. This means no more awkward transitions where half your body loses support while you’re repositioning. Every component stays aligned with your posture, maintaining comfort without requiring any conscious adjustment from you.

2. Bionic FlexFit Backrest Molds to Your Spine

The chair’s most impressive feature is its Bionic FlexFit Backrest, engineered with sixteen precision joints and eight adaptive panels that automatically mirror your spine’s natural S-curve. This creates gapless, contour-hugging support that feels custom-fitted from the moment you sit down, eliminating those pressure points that develop with traditional lumbar support systems.

This sophisticated backrest design actively reduces disc pressure and supports healthy spinal alignment throughout your workday. The system responds to your posture changes in real time, providing distributed support across your entire lower back rather than creating a single pressure point that becomes uncomfortable after a few hours.

3. Four Recline Modes for Every Activity

The Omni offers four intelligently designed recline angles that actually serve different purposes rather than just being arbitrary stopping points. The 105-degree Deep Focus mode keeps you alert and stable for presentations and calls, while the 120-degree Solo-Work position provides balanced support for extended concentration periods.

The 135-degree Soft Recline works perfectly for gaming sessions or content consumption, and the 160-degree Spine Flow mode transforms the chair into an active recovery station. This final position enables spinal decompression and serves as the foundation for the chair’s massage-like stretch feature, helping you recharge between intense work periods.

4. Comprehensive Comfort From Head to Toe

Beyond the dynamic backrest, every component of the Omni is designed to address specific comfort challenges. The 4D armrests adjust in height, width, depth, and angle, automatically repositioning during recline to maintain proper elbow support. The 3D neck support moves both vertically and horizontally, staying aligned with your head regardless of your sitting position.

The multi-density seat cushion uses zoned support with firmer areas under your sit bones and softer regions toward the front edge to prevent leg numbness during extended sessions. An optional footrest completes the full-body support system, creating a comprehensive solution that addresses every common pain point from neck strain to circulation issues.

5. Premium Materials Meet Sustainable Design

The chair combines premium comfort with environmental responsibility through recycled mesh backing, glass-fiber-reinforced nylon construction, and modular components designed for easy repair and replacement. The materials feel genuinely luxurious while supporting the chair’s dynamic functionality, with the flexible nylon enabling the responsive movement that makes the system work.

LiberNovo’s commitment to sustainability extends to minimal, recyclable packaging and a five-year frame warranty that demonstrates confidence in long-term durability. The modular design philosophy means individual components can be serviced or upgraded without replacing the entire chair, supporting both environmental goals and user investment protection.

Designed for Real Life

The LiberNovo Omni succeeds because it acknowledges how people actually work and live, adapting to the reality of long coding sessions, creative marathons, gaming adventures, and video call schedules. The chair moves with you throughout your day, maintaining alignment and comfort without forcing you to think about your posture or make constant manual adjustments.

North American pre-sales are now open through October 20, with the LiberNovo Omni starting at $848 in the USA and C$1,292 in Canada, representing significant savings of 23% and 29% respectively from regular pricing. Early customers can secure an additional 5% new-customer discount during the pre-sale period, bringing the USA price as low as $806. Each order includes a complimentary gift pack featuring an eye mask, eco-bag, and foot cushion, with shipping beginning October 20 for customers ready to experience ergonomic seating that finally works with your body.

Click Here to Buy Now: $1099.

The post 5 Ways the LiberNovo Omni Dynamic Ergonomic Chair Is Changing How We Sit first appeared on Yanko Design.